5 Is money important to Nicola and her father? ... lesson, I was so happy, I couldn\'t stop crying. My dad, Gio, was always busy. ... I teach him about music, and he ...

  www.createsolutions.org

... young, music wasn\'t very important in our house. Then, when I was four, I started playing the violin. In my first lesson, I was so happy, I couldn\'t stop crying ...

  www.docsity.com

... young, music wasn\'t very important in our house. ... couldn\'t stop crying My dad, Gio, was always busy. He was very hardworking, His parents were poor, so he ...

  www.scribd.com

Adjectives. 1 Adjectives are words which give extra information about nouns. They do not change their form to show number or gender: The hero was played by ...

  www.pearson.com

When I was young, music wasn\'t very important in our house. Then, when I was four, I started playing the violin. In my first lesson, I was so happy, I couldn\' ...

  pdfcoffee.com

The 6–CCR exemplars are divided into English language arts (ELA), history/social studies, and science, mathematics, and technical subjects, with the ELA texts ...

  www.ode.state.or.us

10 апр. 2010 г. ... We gathered in his room - he played and sang ... I played four-hand music with my mother, which is ... and play — it\'s more violin music, for me.

  www.operatoday.com

very important in our house. Then, when I was four, I started playing the violin. In my first lesson, I was so happy, I couldn\'t stop crying. My dad, Gio, was ...

  www.getwoord.com

In my first lesson, I was so happy, I couldn\'t stop crying. My dad, Gio, was always busy. He was very hard-working. His parents were poor, so he wanted to ...

  www.ektu.kz

22 нояб. 2021 г. ... In my first lesson, I was so happy, I couldn\'t stop crying. My dad, Gio, was always busy. He was very hard-working. His parents were poor ...

  znanija.com

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the way back home i had recently returned from the front and started teaching in the junior secondary school. i had to ride five kilometres to and from my own village. most days as i rode to school i would see a man working on the road leading to our village. nobody had given him the job and he was not being paid for it. it was all his own idea. he was over sixty and quite grey, as though the moon had bathed his head with silver and it had remained that way. it made his face look even darker. his eyes always had a sparkle under their thick brows, as though he was not sixty. he was always dressed the same: a grey waistcoat, shirt, an old working jacket. he had cloth-topped boots, much worn, and on his head a cap. he was called usenkul. i had known him before the war in boyhood days. i was in the same school for four years with his sons ernazar and kulnazar. usenkul was janitor and night watchman. i remember how we boys used to envy his sons, they lived right by the school while we had to walk five kilometres. they were nice lads, ernazar and kulnazar; both of them resembled their father. the old man still lived by the school, watched over it at night, and at dawn when dew was falling, swept the yard thoroughly and watered the flowers. but in the mornings as i rode to school i would meet usenkul on his donkey, going to mend the road to the district town. «assalam aleikum, aksakal,» i would greet the old man loudly. «aleikum assalam, » he answered. returning from school one day i met usenkul as usual, working. he wore his usual clothes, except that he had taken off his boots and was walking barefoot, evidently to save them, and his cap lay on the grass by the roadside. the sun was not hot and he had taken it off. it was a fine spring day. usenkul-ata raised his head when he saw me. «peace to you, aksakal,» i greeted him. he said softly, «aleikum assalam, my son.» with a gesture he indicated that he wanted to talk to me. this was unusual. in the ordinary way i would greet him first as the elder, and he would reply with a «good day» without pausing in his work, and that would be the end of it. he smiled, looking at me closely. «i do it so that your horse won’t stumble and throw you, lad, and so that those who walk wouldn’t stumble.» «are you in a hurry
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many years ago a london theatre was preparing for the first night. the producer wanted the play to be a success. there was storm on the sea in it. but in those days there was no stage machinery in the theatre, soseveral boys were taken to make „waves "on the sea". the „sea "was just a piece of green cloth, and the boys had to jump up and down under it. in the evening, when the curtain and the storm broke out, the audience greeted it with applause. the boys managed their work well , the scene always made an impression on the audience and each of the boys was paid a shilling a night. but when the performance had had few weeks run, the owner thought that it was too much and that sixpence a night would be quite enogh. then the boys decided to play a trick on him, so when the time came for the storm, the wind began blowoing, but the sea was calm as ever, there were no waves on it. the owner was very angry and shouted from behind the curtains, "make waves, boys, make waves. "but the boys wouldn't jump. then at last, one of them asked, „do you want waves for a shilling a night or sixpence a night

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